
Originally from the Boston,MA area. With an up and coming blog and a gift for showmanship, Nathan enjoys performing in as well as seeing productions. He likes being interactive & thrives to be a leader in the artistic field.
Thanks for your support,
Nathan-
Nathan Goulart-Pasco
performer, blogger

@nathangpasco
~Make A Difference (MAD)~
What are you MAD about?
-Interacting, Communicating, Dedicating, Shaping, and Promoting Different Artistic Styles & Values- MAD
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-Welcome to my blog page! This is where I try to Make A Difference here and there while being as creative as possible and visiting with some of the most inspiring people that I have experienced in some of the most gracious events around. -Nathan Goulart-Pasco
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JARED TROILO

Though we have touched base in the passion for the art, we are just meeting in this way now! You've done some credible work that I look up to very much. Do you have a particular genre you go towards when looking at seasons and planning your schedule to perform?
Thank you, Nathan! It’s always a joy to see you in the audience. Most of my work has been in musical theater, so when theaters are hiring I tend to keep an eye out for what musicals are being produced. That being said, I’m an actor who really likes a challenge so I’m open to working in any genre, whether it’s drama, comedy, musicals, TV, film, and even classical theater. I’m actually doing my first Shakespeare play in a long time this summer with Commonwealth Shakespeare Company. I’m so excited and a little bit terrified! but I do enjoy the challenge.
It seems you undertake roles that exceed a calling for someone physically ready to take on the tasks at hand. Your roles oftentimes strike me as an athletic sort of gentleman who can tell a story but also keep up to the expectations of a higher criteria. Any tips to staying active while in the spotlight?
I’ve always said that being an actor is a 24/7 job. Even when you’re not actively working on a production, it’s important to keep your body, voice, and mental/emotional well-being in good shape. You never know what a role is going to demand of you, so you need to be ready to take it on when the opportunity comes. Sometimes that means something that’s physically challenging, vocally challenging, intellectually challenging, or emotionally challenging. Usually, it’s a combination of all them.
To take care of myself, I work out consistently, I take voice lessons, I take dance classes, and I’m constantly preparing for roles, even if I haven’t been cast in them yet. I also try to stay curious and informed about what’s happening in the world around me, so I’ve become a bit of a news junkie. But I think that’s important!
Word around town is that you have a sweet lady in your life and she performs as well. Have you two ever met onstage? Tell us more about this.
Yes, my wife Kira is also a performer! She’s actually taken a hiatus from the stage recently, because her business has really grown and expanded. She now works as an EDI consultant for arts organizations, and she’s the best in the business! Her company is called Art and Soul Consulting, EDI for the Arts. Check her out!
We grew up together in the same hometown so we performed in the high school musicals together. We’ve also worked together on a handful of professional productions, most notably we played “Jamie” and “Cathy” in “The Last Five Years” at the Lyric Stage Company in Boston. It was the first professional musical produced in Boston after theaters were shut down due to the pandemic. It was a beautiful experience and we’ll cherish it forever.
Kira and I now have two beautiful sons, Levi and Jonah, and are very focused on raising them well. We try to involve them in our work as much as we can. We take them to rehearsals, they come to see our performances, and they’ve gotten to know a lot of members of the theater community. It was always important to us to raise them around the arts, and we’re so grateful we are able to do just that.
You seem to be more structured with your performances. Is this true? How do you see yourself as a performer to this date with the characters you've played. Do you have a few favorites?
It’s really hard to pick a favorite because I invest so much time and energy into each role I play. They’re all challenging in different ways so it’s hard to say which one is my “favorite“. I’m a huge fan of golden age musicals, so I really enjoyed playing “Curly” in” Oklahoma” at Reagle Music Theater in Waltuam, MA. I also was part of a beautiful production of “The Bands Visit“ at the Huntington in Boston, and a really fun production of “The Prom“ at Speakeasy Stage Company, Boston. I really enjoyed working with each of these companies, but again, it’s hard to pick a favorite and each experience has been so unique. If anything, I’m just grateful I’ve gotten to play such a variety of roles with many different companies. I’m really blessed.
You are indeed a specific example to me in some ways. Do you have any advice for that performer who just wants to be a part of a good work?
Hard work and preparation. That’s what has worked for me. There are so many talented actors and performers out there which makes getting work tough. There’s so much that’s not in your control, but the one thing you can control is how hard you work. I always tell my students try to be the most prepared person in every rehearsal room you walk into. If you do that, people will notice AND you’re setting yourself up for success.
You have the iconic "Little Shop of Horrors" coming up as well as other things. Tell us about these! Where can we find you? Any interesting characters to look forward to?
Yes! I’ll be playing Orin/other characters in “Little Shop of Horrors” at Greater Boston Stage Company in Stoneham. It’s a show I’ve never gotten to do, so I’m really excited to dive in and see how crazy I can make this guy. After that, I have a few more productions lined up but unfortunately I’m not allowed to share that info yet. But as soon as I’m given the green light to share the news, I will let you know! For updates, you can find me at JaredTroilo.com and @jaredtroilo on IG
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Hello There! It seems so nice to walk into an exciting atmosphere when seeing a show at Mac-Haydn! Can you describe what you do there to help make the show run smoothly?
I’m not involved with the production of a show. Over the past 24 years, I have done all the volunteer jobs ushering, concession stand, 50/50, coffeehouse, etc. I have worked in the box office since 2013. I have worked on our ticketing system year around helping with selling tickets, mailings, cleaning up the database, creating reports, etc. All of these things are important to keep the theater going smoothly! Mac-Haydn has a wonderful group of volunteers!
Speaking with you prior about our admiration for the arts and what the stage brings to it, is there a specific type of genre or character you like onstage because of it's inspiration?
I am inspired by it all! There is something I get out of every show. Sometimes it is the book, or the music, or the dancing, etc. I love seeing how the director and actors bring life to the show. I am fortunate to be able to see the early rehearsals and then progress, in only 12 days, to the dress rehearsal and opening night. It takes so much work and dedication!
Tell us a little of your Mac-Haydn history. From my audience perspective there are many different talents that touch The Mac. What's it's been like for you? Any stories...
This is my 25th season volunteering and working in the box office at Mac-Haydn. I have met so many people over the years. Many have become my close, and I’m sure, lifelong friends. There are new actors, tech crews, directors every year but most of my interactions are with the patrons. I have known many of them since I started volunteering in 2001 when my daughter was in the shows.
I have been to their weddings, funerals, birthday parties, etc. One of my most poignant memories is when one of our long-time founders was about to move away to be near his son. His ride to the theatre fell through so I offered to pick him up for his very last time at Mac-Haydn. He was so excited! He had a big bag of his Mac-Haydn programs and memorabilia that he donated to the Production Office. As I walked around with him, I saw the theatre through his eyes. I could see how much it meant to him. I admit I shed a few tears. Experiences like this make the time and effort that I put into the theatre all worthwhile. I think our theatre means more to people than we realize.
Speaking of stories, what are some of your favorite memories from being at that venue. Do have an opinion on favorite shows, performances?
My favorite shows are Les Miserables and Ragtime. Our production of Les Miz was a huge, breathtaking production that sold out every performance with waiting lists!! I had seen many productions of Ragtime at other theatres but none of them got to me like our production at Mac-Haydn. No matter where you sit in the theatre, you are immersed in the show. They use the aisles, walls, lighting, etc.
One of my favorite memories at our venue is when Chatham had an area-wide power outage right before The Wedding Singer was about to start. We had patrons in the lobby waiting to see if the power was going to go on. When we finally had to cancel the show, people started to leave but the actors decided that they still wanted to sing the show for those that wanted to stay! We used flashlights to bring patrons back into the theatre and the cast sat on the stage and did a sing-through of the show. It was such fun!
From an outside perspective, any favorite success stories that you have witnessed from The Mac that are personal to you?
There are so many success stories. I am very proud of our alumni. I have been fortunate to see many of them on Broadway! They have invited me backstage after the show which is very exciting to see behind the scenes. So many of the national tours that come to Proctor’s Theatre have Mac-Haydn alumni. There are also so many of our alumni on cruise ships, Disney, television, movies! It is so exciting to see their successes!
What are you most looking forward to in an upcoming theatrical season?
As always, I am excited to see our patrons that come year after year! I love to hear updates on their family, travels, etc. I always love meeting our new company. I spend the summer getting to know them and then I’m so sad when they leave not knowing if I will see them again. (Social media has helped me to keep up with them.) Of course, I am looking forward to the shows! I always think I have a favorite show before the season starts, then I am surprised that another show will become my surprise favorite.
Terri Engel
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- MAD sometimes attempts to guide people where we most struggle as a civilization. Identity is a greater example of what I and we do tend to need more words with. This personally has helped me a lot.
What makes you MAD.
-NGP

Nathan Goulart-Pasco
Do you research the people you interview beforehand? Do you get to know them?
I mostly don't know them on a personal level but do confide in their professional side, yes. I think oftentimes being an actor is a special kind of theory and sometimes someone's actions should be brought out more like a nice sunny day.
How do you see yourself as a performer? Any stories?
I see myself as an up and coming performer always. It has kept me humble living for the business at times to always look up and forward and in the moment.
One story I have enjoyed very much is how I got to be the 'Mayor's son' from the original production in "Bye Bye Birdie". I am still honored at the artistry and such that make up a show and what can happen with passion for the arts. I will hardly forget that experience.
What are your plans on training?
I feel I don't normally put a limit on it because it keeps me active, in shape, and moving in the arts format when not performing. I do try to take classes that are unusual to compliment my resume and experience. You never know when you might need that little thing you took way back when.
Where do you see MAD in 5 years?
Hopefully a thriving company where there is a separate unit of business happening with 'Make A Difference' and my performing stuff... Maybe where the artistry and humanism stuff can stand on it's own and my performance value can thrive differently.
Anyone you admire in the business or look up to?
It depends. From Aimee Doherty to Brian D'Arcy James, to JLO. They are all so different but have so much to offer the artistic world.
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Kerry A. Dowling
Hello Kerry Dowling! How are you?
Good – how are you?
As a star vehicle performer do you have any reservations to genre? We've seen you tackle the ultimate being. What are your expectations going into a project such as these? Is there research that you do to become the journey you depict as an actor to enhance the audience's journey?
I enjoy all genres of theater but Musicals will always be a favorite. To prepare for a role I look into who I am playing and what impacts them – people/actions/society. I need to put myself in their shoes in order to appropriately bring them to life.
Who are some people that drive you to be better at your craft?
Other actors, directors
As an actor, when you step out of that safety zone of comfort to perform a scene that's indifferent or unique or even difficult how do you communicate to make it different? Do you make it different? Any stories on what you do to make your scene a little more specific or special in your own way?
I am lucky that when I’ve had difficult scenes my fellow performers and directors provided space for us to explore and discuss any concerns so that we felt safe and comfortable.
Is there any advice for someone who yearns for a career in the business we call show? Do you have an example of a good time that you've had in the business? A bad one?
I don’t think I’ve ever had a bad time. The best times have been special shows with casts that have become true friends. My advice is to go for it – watch and listen as much as you can.
After seeing you recently perform in "The Spitfire Grill" with The Umbrella Arts Center as Hannah Ferguson, I was honestly curious about your process on it all. With tougher scenes to beautiful, deepened vocals such as "Way Back Home". I thought it to be a very intelligent portrayal. I guess what I'm asking is, was there a certain approach you gave this role?
Hannah is a very different person for me to play – she is closed off and somewhat prickly and cold at the top of the show, and gradually softens as her relationships with her “girls” strengthen. In playing the different scenes, particularly the songs, my approach is to immerse myself in the moment. Getting distracted would be the worst thing for me.
Is there anything else you'd like to share?
I love what I do and hope you and others will join when possible – everyone is important – the audience in particular since they are in effect a performer in the show!


-Leigh Barrett is our first recipient of the 'MAD Certificate of Excellence.' We believe that she stands for art and humanism in an enlightening format. Leigh is an actor, director, producer,and consent forward artist.-NGP
Leigh Barrett
Hello, Leigh! How are you doing? As a performer, what have been some of your more memorable endeavors? It's been a fun time seeing some of your performances shine! Any fun character traits you have found useful tools within your craft and outside of it?
Thank you so much!! I have had the great good fortune to inhabit some incredible characters. I would say that one thing I try to bring to every single part is honesty, believability no matter whether the character is fiction or actual.
I find your voice to be a wonderful occasion in some of your shows too? How do you keep it healthy? How do you take care of your special instrument?
Thank you. Thats so kind of you. Keeping your voice healthy is one of the biggest jobs of an artist. I try to warm up before each rehearsal and performance of course, stay hydrated, get as much sleep as possible, I don't go out usually after a show, I spend a lot of quiet time. I try not to over speak or push. I have a great team of folks that help keep my voice in good shape-coaches, ENTs, speech therapists. It takes a village!
You've recently received our first 'MAD Certificate of Excellence' Award. May I ask, what is your initial reaction to it? You are very much a great example of art and humanism within your shows to me as an actor, director and such, which is what we stand for.
I'm stunned really. It is truly an honour to be recognized for your humanity. I am deeply touched. Its one of the most precious recognitions I think I could get. I just go out there trying to be the best human I can be. I try to always be people over product.
Any favorite songs that you keep with you because they are special to you? Favorite roles or projects?
I have been very fortunate to play some pretty incredible folks. Souvenr is probably one of my most favorite projects. and Grey Gardens.
Are there any influences or people you look to within the business?
Emma Thompson is a guiding light for me. Betty Buckley. Carol Burnett Jean Smart
Anything else you'd like to tell us?
Be well. Keep Shining your light in the darkness . I wish you and your mom all the very best

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Elizabeth Ward Land
Hello Elizabeth Ward Land! how are you doing?
I am great! I have had a good summer- a mix of work, family and rest. Enjoying some great end of summer weather here in Maplewood, NJ where I live.
It's interesting to see a performance such as yours flourish from scene to scene. Do you have any particular stories on how you become a character and how certain transitions happen within your story?
What an interesting question. It's always a complicated dance, how you maintain the life of a character from scene to scene, within the growth of the story but also allowing for the offstage moments when you are probably frantically changing costumes to get back on stage in time- definitely Norma Desmond in SUNSET BOULEVARD was like that- once she made her first appearance, it was non stop until the end of the show= so that pace and level of anxiety helped to color Norma and although it was exhausting, I hope it helped the audience understand the character better. In forming a character, I start with how they might walk, talk, carry themselves- and I always say that the sooner I can start rehearsing with what i will be wearing on my feet, the character begins to creep in without me even knowing it. FOOTWEAR IS IMPORTANT!
I, personally, haven't overlooked your beautiful voice and how certain things and vocals inspire you. Can you tell us more about your latest show? How does Linda Ronstadt inspire you as an artist.
Ah, thanks so much for asking. 'THE SONGS OF LINDA RONSTADT' began as a challenge to myself - to create a vehicle for myself to perform in; but at the simplest level, it was a challenge from myself to make myself proud. I have always sang in a whole bunch of different styles and genres, and so did Linda Ronstadt- so she was a natural choice for a tribute show from me. And as I dug in deeper, I realized how many ways her singing had influenced me and I talk about that in my show. She also loved singing harmony, as do I, and came from a house filled with music (as did I) so there were some natural synergies that resonate and tie us together. I started it in 2019, and as of right now, I have performed the show about 60 times- all over the world- so I have made myself proud in ways that I never really imagined when I started it. It is a highlight of my career and the feedback I get from folks as they remember how great Linda is and learn about me has been very meaningful. I am so glad that I got out of my own way and put in the work and did it!
I find that the history of the thespian is what shapes them, oftentimes. Do you have any interesting stories with things you have done? Any particular moments in your career, thus far, that stand out as an inspiration to your art and music?
I don't remember a time where I didn't consider myself a thespian, and its such an odd profession that of course there are a million odd things that. have happened. But one thing that I have always felt is that a life in show business is like a tree and that all the stories of your particular career branch from pivotal experiences. From your first bite of the show business bug to the last job you had are all entwined. Here is an example-
One of my most unique jobs ever was working with Barbra Streisand as she rehearsed for a concert tour she was doing in 2006. I got the call for that job from the person who was the director of the tour of Les Misérables that I had done 20 years before - he had remembered me and liked me- and so it always reminds me that you just never know what is around the corner. I learned a lot working with Barbra Streisand- but the main thing that I gained was confidence and fearlessness in my own musical songs stylings - and although I didn't know it at the time- it has proved to be a pivotal moment for me. I had been living in Los Angeles for 7 years and was about to move back to NYC and I think it gave me a boost to know I had just spent two weeks singing in front of one of the greatest artists of all time and she had accepted me as part of her team. That was a good way to jumpstart my leap back into the NYC Broadway gang and I am grateful. I have such a cool life!
Thank you very much for the opportunity to chat! Hope to see you shine again soon. Where can we find you best?
My website is www.ElizabethWardLand.com and I am on Facebook Elizabeth Ward Land and Instagram @elizabethwardland
David Coffee
Hi David Coffee! How are you doing?
As an actor what makes you unique onstage? Is there a secret that makes your own characters run smoothly and become special?
What makes me unique? My body, my voice and my imagination.
Is there a secret to making my characters run smoothly? What is it like to tackle a serious role to more of an animated genre? Any secrets to your upbringing of a role.
Yes. Study and rehearsal.
I will use whatever method I need from my menu of techniques. Mainly, I read the script 3 times. Once, for general story line. Next, for my part (what is required of me?) Third, looking for clues to my character and their relationship to the other characters.
I, personally, got to witness your 25th Anniversary of "A Christmas Carol" as Scrooge at North Shore Music Theatre. What keeps you revisiting such a gracious and dedicated performance?
I keep returning to Scrooge because 1. The theatre has been kind enough to ask me and 2. I need the money! Ha! There's also a third reason: I thoroughly enjoy the part.
Speaking of your performance of "A Christmas Carol", what makes your performances fresh and defined?
The rest of the Company. We have new people every year and I must adapt to their characterization.
You've recently revisited "The Wizard of Oz" live in Beverly,MA. What makes that performance special to you? Any fun stories? What keeps the actor in you coming back to such great productions and keeping these roles truthful?
When I was in second grade, I had a music teacher that required all of us to demonstrate some sort of talent. I chose to act out and lip synch to the Original sound track album of The Wizard of Oz. I played all of the parts. She was so impressed, she had me perform for all of the classes! I was held over!
Another time, I was playing Uncle Henry. I had to get Toto and put him into Miss Gulch's basket. There was a preset treat for Toto in the basket. He wriggled out of Dorothy's arms and before I could get to him, he had already jumped into the basket, got his treat and sat up in the basket very proud of himself. The audience didn't know whether to laugh or yell warnings to him. To conclude, I think it's important to emphasize the power of imagination. To me, imagination is the rearranging of known experiences. We have maybe never killed someone but, if our character is required to, we can call upon our memory of being disturbed by a mosquito and how much satisfaction we felt when we had finally eliminated it. The more conscious experiences we have in life, the material we have with which to work. In other words, live your life with all your senses wide open to experience life at its fullest and keep depositing into your bank of life experiences.
Anything else you'd like to tell us? Any performances coming up to speak of? Where can we find out more information?
I'm currently performing in You Can't Take it With You at Theatre Arlington in Texas. My next show is West Side Story at Casa Manana in Fort Worth (where I started in 1968) and then I'll be returning to North Shore for my 31st season as Scrooge.
Thank you, David Coffee.


- Does anyone remember the original 'MAD' logo? Well here it is and it was fab. To think of the progress I have made since this creation and the awesomeness that has happened through the passion and love of art and lessons that come with it are awesome! Thank you so much for supporting MAD.- NGP

Hi Yvonne, how are you?
I'm good, thank you.
What do you see with the future of 'Make A Difference'?
A chance to bring people together with a common goal and positivity.
What makes you excited about MAD's future?
Meeting new people and sharing artistic experiences.
Any artistic or humanistic goals that you have for it's outlook?
To promote the arts while at the same time sharing these artistic experiences through a mass forum.
Is there a certain secret to how Nathan Goulart-Pasco works as the face and being active in the MAD environment?
Being a people person with a particular enthusiasm for the arts, with numerous contacts including those through his blog, Nathan is the perfect person to host such an endeavor.
Any particular artistic instances that you recall that create good memories here?
The creation of life long acquaintances and in some cases friendships.
What sort of things are to be expected here in the future by NGP and yourself?
The creation of a loyal following, welcoming new people all the time.
Any influences that you look up to in the artistic world. Why?
I'm big on philanthropy and giving. Artists like Willie Nelson, John Legend, Taylor Swift, Kenau Reeves and Jelly Roll who give back to the community and help others less fortunate are some people that come to mind. There are also many actors and sports figures that donate their time and money for humanistic causes.
Thank you for taking the time for this interview. Anything else you want to tell us about yourself?
My background in the arts is primarily in music versus acting so a lot of my sharing comes from that perspective.

-Introducing MAD's new
logo to continue with
the original up and
coming business to
celebrate art and humanism.
"Make A Difference" will continue to enlighten our
own compass on what we see in the art's world and how it can be inspirational to everyone in many ways. -MAD
Yvonne M. Goulart
MAD History!
-MAD had been invented through "Nathan's Blog", "Nathan's Theatre Blog" and Nathan Goulart-Pasco, himself in 2012. It's current base interviews respected thespians, encourages acts of art to thrive, and humanity to continue to become through his words of experience & wisdom & of course creativity. Topics through it have been written about mental health, physical health, identity, family values, simple political standpoints, and of course entertainment and other things as well. Nathan's opinions tremble here mainly and appreciates you being here to help achieve a greater living as daily life can supply. MAD thrives on! What makes you MAD? -NGP
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